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Korg Korg-ovci! Ovo je mesto za vas!

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Star 26.09.2009, 12:52   #11
zeljko
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Kako mislis kroz dvije oktave to nerazumem i kako mogu da ubacujem boje,kako sam dobro zapazio ili nisam video dobro da nema za stavljanja disketa tako da nemoze nista da se ubacuje ili se varam.
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Star 26.09.2009, 13:22   #12
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Kako ne razumes pa terce mogu samo kroz dve oktave npr kroz trecu i cetvrtu a ne kroz celu klavijaturu(kroz svih pet oktava).Boje se prebacuje preko midi kabla...Cena je odlicna!
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Star 26.09.2009, 13:41   #13
zeljko
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Hvala vam kolege sad sam bas isao brzo da je kupim ali je vec bila prodata,valjda se vise muzicara krece ovim prostorom u p.m.Tako je kad se covijek razmislja hocel necel a cijena je bila dobra pa kad bih ga i bacio isplatilo bih se probat.

Pozdrav i hvala vam
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Star 26.09.2009, 14:38   #14
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Terce na X5d idu samo kroz jednu oktavu! Prave se u Kombi banci tako sto tu imate 8 polja. u prvo stavite boju iz A ili G banke koju zelite, zatim u svaku sledecu stavljate istu boju, ali menjate stepene npr stavite +3 i u mesto D cuje se F ton u isto vreme kad i D...dupla boja samo jedna ide normalno a na drugoj se uradi elevacija ili spustanje, zavisi kakvu tercu zelite. Da vam se te ostale banke ne bi preklapale, ogranicite od kog do kog tona vaze. Sablon za molske terce je uglavnom isti za sve oktave, samo korigujete gore dole prostor na kome se prostiru npr kad napravite D-mol terce, uzmete odeljeak koji odredjuje top i botom prostiranja boje na ostalih sedam polja (prvi ne dirate jer vam je to osnovna boja) i pomerite za dva stepena gore i imate E-mol terce... Ja licno terce jako malo koristim jer ih sviram svojerucno...vezbajte,nemojte biti poltroni i cekati da vam se sve olaksa...onda lepo pustite midi i svirace sama.... Prednost Kombi banke na X5D nije da se prave terce...vec da miksujete boje! Kad korisitite obicnu A banku imate samo 2 oscilatora...to nije dovoljno za danasnju muziku...a kad koristite Kombi imate 8 polja X 2 oscilatora jer koristite A banku...znaci 16 boja mozete da miksujete u isto vreme... ja sam tako uradio...pomucite se malo i et...rado bih vam dao moj, ali onda sam vam uskratio znanje i zabavu....
Dodato:
Kolega Minicevac, boje se ne prebacuju sa midi kabla...ona svoje boje ima u sebi! Samo menjate parametre odziva, trajanja, aftertouch-a, efekata itd pa pravite svoje boje...na forumu se moze naci par setova za nju ali to nije ni blizu njenih mogucnosti kad koristite Kombi banku za miksovanje a ne za terce...to je klavijatura koja koristi skoro iste boje kao i VanBasco karaoke plejer...samo na X5D mogu da se edituju...na klavijturi mozete uraditi sve! ne treba vam midi kabal...ja sve radim na njoj..nekad i na licu mesta! Kad budem snimao jednu probu podelicu snimak na forumu...prosli koji imam je los jer nije bila sredjena Kombi banka pa sam koristio samo A ....

Promijenjeno od doktor87 (26.09.2009 u 14:45 sati) Razlog: Automatski spojeni uzastopni postovi
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Star 28.09.2009, 10:04   #15
zeljko
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Doktore mozda si upravu da treba sam svirati terce odjednom,samo bih voleo da vidim tog koji ce tako lako da odsvira neka teska kola u tercama.Pozzz
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Star 28.09.2009, 10:57   #16
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Svi vrhunski rezultati postizu se treninzima! ja sam daleko od sjajnog, ali se trudim! Za kola koja su teska, ok! Ali nase kolege terce koriste za neke smesne stvari...moraju, jer sviraju samo sa 3 prsta i znaju samo tzv siptarske trilere jer su oni "laksi"... Samo mislim da je greota koristiti kombi samo za terce, sto vecina radi...
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Star 28.09.2009, 11:05   #17
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ebiga opet skrenusmo s teme ... inace taj m50 i 5xd nemaju mnogo zajednicki osim da su obe od korga ...

zeljko brate, moram ja da dodjem jedanput kod tebe u minhen pa da idemo zajedno na pijac u kupovinu

jel to onaj veliki pijac tamo, kako se bese zove to mesto ... ne secam se vise dal je bilo subotom il nedeljom ... ?


nadam se da si uzeo to cudo druze, za 35 evra nemas sta da mislis, jedino dal sprava funkcionise il ne, ako funkcionise uzimaj sto pre

ako naidjes jos na neke takve stvari s dobrom cenom samo se javi druze, kod nas u bec tesko da naletis na takve ponude ...

pozdrav!
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Star 28.09.2009, 11:10   #18
zeljko
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Jbg.grandija dok sam se ja razmislio i ponovo otisao da je uzmem bila je vec otisla,neko ju je uzeo.Pijaca je blizu mene i to za sad najbolja po mom misljenju a ako znas gdje je Olympia toranj ili prijasnji bayernov stadio bas je tu svake subote na parkplacima od stadiona.Da sam znao da je dobra kljava uzeo bih je bez razmisljanja mozda bih je dao i za 20 eura.
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Star 11.01.2010, 13:30   #19
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61 Tasten
natural touch
touch-view display
4chord trigger
USB
170 frei wählbare Effekte
virtuell Drummer
SD-Slot
Farbe: Blau
Weight: 6.80 kg
4 years Soundland warranty



original manufacturers desciption:
Performance; Portability; Price
Weighing in at just fifteen pounds is the fiery new KORG M50, ready to take on all contenders! Incredible new sounds; fat & juicy combis, splits and layers; a plethora of ace effects; dynamic Drum Tracks; enhanced poly-arpeggiators; classic sequencing tools, a solid, confident keybed; up-to-date SD storage; companion editing software and our famous TouchView interactive display - it all adds up to an invigorating and sexy keyboard instrument that could only come from KORG.
There’s One for Everyone
Over twenty years of category-defining workstation expertise beats in the heart of the M50 Music Workstation. Just as the M3 borrowed elements from the legendary OASYS, the M50 captures all the sonic firepower of the M3, distilled into a performance instrument that is second to none. In a word, the M50 just may be the keyboard you’ve been waiting for. Both 73* and 61 note versions are available, sporting a new semi-weighted Natural Touch keyboard. This new fast and responsive synthesizer keybed facilitates expressive and dynamic performing. Tipping the scales at a mere 46 pounds, the seriously portable 88 key version features our top-of-the-line RH3 Graded Hammer Action, and provides a satisfying performance experience for the piano purist!
A Natural Performer
Made to be played, the M50 is inviting and comfortable. The TouchView screen is intuitive and interactive, allowing the uniquely angled front panel to remain refined and uncluttered. The buttons themselves are rock solid, backlit and rounded for visibility ease-of-use under any playing conditions. In addition to Korg’s four-way joystick and multi-function knobs, the M50 offers four Chord Triggers that provide a flexible and fun way to play chords and trigger arp patterns. A ten key numeric keypad allows on-demand instant access to sounds, combis and other parameter/values.

Hundreds of drum track patterns, and over a thousand arpeggiator patterns – including chord grooves, picking-patterns, and more - are instantly available to add punch and pizzazz to your M50 performance, and to provide hours of inspiration.
Specifications:
Synthesis Technology
EDS (Enhanced Definition Synthesis)
Tone Generator
256 Mbyte (when converted to 16-bit linear format)
1,077 Multisamples
1,609 Drum Samples
Maximum Polyphony
80 voices, 80 oscillators max, single mode
40 voices, 80 oscillators max, double mode*
* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
Sounds
Programs
640 total locations, 608 preloaded
Combinations
512 total locations, 384 preloaded
Drumkits
48 total locations, 32 preloaded
GM
256 GM2 programs, 9 GM2 drum kits
Program Structure EDS
Oscillator
OSC1 (Single), OSC1+2 (Double)
Stereo multisamples are supported
4 velocity zones per oscillator, with switching, crossfades and layers.
Filters
Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
Driver
Per-voice nonlinear driver and low boost
EQ
Three bands, with sweepable mid
Modulation
For each voice: two envelope generators (Filter & Amp)
Two LFOs
Two key tracking generators (Filter & Amp)
Two AMS mixers
Pitch EG
Common LFO
Two common key tracking generators
Combination Structure
Up to sixteen timbres
For each Timbre: keyboard and velocity split/layer/crossfade
INT, OFF, EXT and EX2 MIDI status settings
3-band EQ with sweepable mid
Pitch/Transpose
Use OSC1, 2 or Both
Force Osc Mode (PRG, MONO, LEGATO, POLY)
Portamento and Bend range settings
Controller filters
Modifications to the program settings via the Tone Adjust function
Drum Kit Structure
Stereo and mono drum samples
4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer)
Exclusive keygroups
Per key 3-band EQ, Drive, Lo Boost, filter and level offsets
Effects
5 Insert Effects (stereo in/out), 2 Master Effects (stereo in/out), 1 Total Effect (stereo in/out) are available simultaneously
2 effect control busses, 2 effect common LFOs
170 types (can be used for Insert/Master/Total.) Note: double-size effects cannot be used as a Total effect.
Effects Presets: Up to 32 per Effect, 700 provided in OS 1.10
3-band Track EQ (High, low, and sweepable mid band) Per Program in Program Mode, per Timbre in Combination mode (16 total), and per Track in Sequencer mode (16 total)
Sequencer
16-track MIDI sequencer with 480 ppq resolution
128 Songs, 20 Cue Lists, 210,000 notes (max)
Tempo: 40.00 – 300.00 BPM (1/100 resolution)
16 preset/16 user Template Songs
522 preset patterns, 100 user patterns (per Song)
Cue List function: 20 cue lists, Songs can be arranged consecutively or repeatedly in up to 99 steps, A cue list can be converted back into a song
Standard MIDI File (SMF) format 0 and 1 available
Auto Song Setup function (One Touch Record) for easily going from a Program or Combination into “record-ready” status
Dual Polyphonic Arpeggiator
Two arpeggiators, useable simultaneously
(Combination, Sequencer modes)
5 preset arpeggio patterns; 216 user arpeggio patterns (200 preloaded)
RPPR (Realtime Pattern Play/Recording)
A set of 100 patterns are available per Song
Drum Track
671 preset patterns/1,000 user patterns
Patterns created in Sequencer mode can be converted to drum track user patterns
Trigger Mode (Immediate, Wait for Keyboard), Sync (On, Off) and Zone (Key and Velocity) settings can be specified.
Program selection, 3-band EQ and effect bussing available
Audio Outputs
L/MONO, R - 1/4" TS (Mono), unbalanced
Headphones - 1/4" TRS (Stereo), Output Impedance: 33 Ohms, Maximum Level: 32+ 32 mW @33 Ohms
Interface
MIDI
IN, OUT
Computer
USB type B connector (for MIDI interface, USB 2.0 supported)
System Requirements
Computer with the KORG USB-MIDI Driver
Windows
Microsoft Windows XP Home Edition/Professional Service Pack 2 or later (MIDI Driver for the 64-bit editions is a Beta version), all editions of Microsoft Windows Vista (MIDI Driver for the 64-bit editions is a Beta version), computer supports Windows XP/Vista with USB port (Intel USB Host Controller recommended).
Macintosh
Mac OS X 10.3.9 or later, Apple Macintosh with USB ports supports Mac OS X 10.3.9 (PowerPC/Intel-based supported).
Please use the latest Korg USB/MIDI driver.
M50 Editor/Plug-In Editor
Windows
Windows XP Home Edition / Professional Service Pack 2 or later, Intel Pentium III/1 GHz or faster, 512 Mbyte or larger memory (1 Gbyte or larger recommended.)
Macintosh
Mac OS X 10.4 or later, G4/800 MHz or faster (Intel-based Mac supported, G5 and/or Core Duo recommended), 512 Mbyte or larger memory (1 Gbyte or larger recommended)
Options
XVP-10
EXP/VOL Pedal
EXP-2
Foot Controller
DS-1H
Damper Pedal (supports half-damping)
PS-1
Pedal Switch
General
Keyboard
61-keyversion use a new semi-weighted Natural Touch keyboard
Controllers
Joystick, [SW1], [SW2]
Display
5.7 inch TouchView™ GUI, 320 x 240 dot
Control Inputs
Damper Pedal (half damper pedaling supported), Assignable Switch, Assignable Pedal
Common specifications
Frequency response: 20 Hz–20 kHz, +/-1.0 dB, 10 k Ohms load
THD+N: 20 Hz–20 kHz, 0.08 % 10 k Ohms load (typical)
Included Accessories
KA320 Switching Power Supply
(Model 510405540503)
Three-Pronged IECC13 Power Cable
(Model D8B5518003B)
Owner’s Manual (M50 Operation Guide)
CD-ROM (M50 Parameter Guide (PDF)
Voice Name List (PDF)
KORG MIDI driver
M50 Editor stand alone and plug-in versions
Dimensions
M50-61:
40.43"(W) x 11.57"(D) x 4.17"(H)
Weight
M50-61: 14.9 lbs
Current Consumption
35 Watts
Trademark Notes
*Mac and Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
*Windows XP and Windows VISTA are registered trademark of Microsoft Corporation in the United States and other countries.
*VST and ASIO are trademarks of Steinberg Media Technologies GmbH.
*The Audio Units logo and the Audio Units symbol are trademarks of Apple Computer, Inc.
*RTAS is a trademark or registered trademark of Avid Technology, Inc., or its subsidiaries or divisions.



Sve si ovo mogao u jednom LINK-u da postaviš a ne da nam kopiraš pola stranice!!!

Promijenjeno od Vule (11.01.2010 u 14:24 sati)
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