@acekorg
Ace,ne se uzbudjavaj,svi smo u pravu,najobicnija dvojka je u pitanju,postoje odredjeni,da kazemo sukobi tu oko te metrike,tzv zapadnjacka i nasa balkanska,ovo nase je tipicno ono "najstariji",mi nemamo 4/4 ritam,za nas je zakon 2/4.
Tu je kolega Aleksandar u pravu kad kaze nema u balkanskoj muzici 4/4.
Ovde su umesali prste i muzicki etnolozi koji tvrde da je to temelj muzike sa nasih prostora ali ima i onih koji kazu da je to broj 7.
Citiracu jedan tekst sa Wikipedije koji pokazuje da je kolega Aleksandar u pravu.
"Pravo horo (Право хоро) (2/4 or 6/8 --counted as 2 triplets 3+3. Often in music for the pravo, both 2/4 and 6/8 time signatures will be used where 2/4 is used for the singing and 6/8 is used for the slightly faster instrumental portions. In Bulgaria, the 6/8 portion is also transcribed in 2/4 using triplets), Pravo is characterised by left-over-right arms "belt-hold" (in lieu of hand hold), a beginning right foot diving step toward the center of from one to many concentric broken circles, traveling ultimately counter clockwise. Experience can be hypnotic after 20 or 30 minutes of continuous music]. Each dance phrase corresponds to 3 musical measures counted as quick quick slow slow (corresponding to 2+2+4+4 in 2/4 time or 3+3+6+6 in 6/8 time)."
Evo i linka pa procitajte stranicu u celini.
http://en.wikipedia.org/wiki/Bulgarian_dances
A sad citiram drugi tekst isto sa Wikipedije koji kaze da smo Acekorg i ja u pravu.
Each basic folk dance type use a distinct combination of these rhythmic "units". Some examples are rachenitsa (7 beats divided: 2-2-3), paidushko horo (5 beats: 2-3), eleno mome (7 beats: 2-2-1-2), kopanitsa (11 beats: 2-2-3-2-2), and Bucimis (15 beats: 2-2-2-2-3-2-2), and pravo horo, which can either be standard 4/4 or 6/8. Some rhythms with the same number of beats can be divided in different ways: for example, 8-beat rhythms can be divided 2-3-3, 3-2-3, 3-3-2, 2-2-2-2, 2-2-4, 2-4-2, 4-2-2, or even 4-4. This terminology is a crude simplification and is not used by Balkan musicians; it does not capture the full subtlety of the Balkan rhythms.
Evo i linka pa procitajte u celini
http://en.wikipedia.org/wiki/Music_of_Bulgaria
Ovde mozete procitati u oba teksta da se sporni ritam moze"procitati" i kao 6/8 sto se meni licno uopste ne svidja.Kolega Aleksandar je naveo argument "takata takata" ali ja mislim da to nije ceo takt jer oni sviraju ovako(lupam) takata takata takata tak,takta takata takta tak,tak tak takata takta, itd...Zajednicko za sve ovo je broj 4 a ne broj 2 ili 6.Doduse nije netacno jer 4/4 sadrze i 2/4 i 6/8.Ipak po nekom mom licnom ubedjenju "najmanja najlogicnija celina" na koju mozemo "razbrojiti" sporni ritam je 4/4.